#Lord of rigel kickstarter movie#
I’ve found myself muttering these same things (admittedly, sometimes there is wailing too).īut in reality, there are so many reasons why a movie or TV series has to deviate from the books we loved so much. I know we love our YA books, and the movie and TV series adaptations leave us trembling with excitement for premier day, but there’s always a let down after that first viewing. By forcing yourself to get inside the heads of real people who were very different from you, you expand your ability as a writer to invent your own characters and make them more real.Īnd they shouldn’t be. So… writing historical fiction is a great challenge. (The Boston Irish had a certain loyalty to McCarthy.) He was brave enough to attack Japanese warships in pitch darkness, but not to join in the vote censuring Joe McCarthy. When healthy, he was strong enough to swim three and a half miles towing a wounded sailor - when sick, he could barely stand. Wrapping my mind around the contradictions of the man was one of the hardest writing tasks I’ve ever done. I called the monologue “The Picture of Health,” because that was what JFK tried so hard to present to the world. It was about his struggles with Addison’s disease - a thing Kennedy never spoke of in real life and in fact took pains to conceal, inventing other stories to account for his stays in the hospital. When I started writing my version of the Caroline Affair, I was exposed to a whole galaxy of wonderful and horrible personalities I never could have invented on my own, most of whom I had never heard of.īut the biggest challenge I’ve faced in getting inside the head a historical character was in writing a monologue about John F. More than that, you have to consider their life experiences and what they learned from them in order to figure out what they would do in a given situation.ĭoing this for my own timeline at (called “The Dead Skunk” - don’t ask) has meant studying all sorts of people, including James Madison, Lord Liverpool, the Duke of Wellington, Napoleon, Lord Castlereagh, Joachim Murat, John Quincy Adams… and these were just the beginning. Just as in regular historical fiction, if you’re going to put historical figures in your writing you have to read about them enough to get your facts straight. Petersburg overrun by zombies and vampires. Suddenly you aren’t confined by actual events any more - you can kill Hitler if you feel like it, or have St. Specifically, alternate history, which is usually classified as science fiction, but which I like to think of as historical fiction that’s broken its chains. When I start to worry that I’m starting to create the same characters over and over again, I work on historical fiction.
Strong female characters with medical conditions that cause them to dominate whatever room they’re in whether they want to or not. Geniuses who are given a choice between trying to save the entire world - and possibly failing - or trying to save only a small part of it and being more certain of success. Protagonists who are smart, but not too smart and with a very practical bent to their intelligence. Sometimes I notice certain patterns in my work.
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